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Everybodys Talking - Joe Meek - The Joe Meek Story - The Pye Years


1991
Label: Sequel Records - NED CD 171 • Series: The Joe Meek Story - VOLUME I / VOLUME II • Format: 2x, CD Compilation • Country: UK • Genre: Rock, Pop • Style: Beat, Pop Rock, Ballad
Download Everybodys Talking - Joe Meek - The Joe Meek Story - The Pye Years

Find out what movies Jim GaffiganLinda Hamiltonand more are watching during the holidays. Watch now. Brilliant, flamboyant master criminal Michael Lynch is more interested in his image and his posterity than the actual profit from his ill-gotten gains. A troubled young man, Li faces pressure at work and problems at home with his moody wife. Chuck, rescues Li from the brink of despair and becomes an unlikely mentor. But who is Chuck really?

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How, they wonder, will they ever manage without Stan's money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just Everybodys Talking - Joe Meek - The Joe Meek Story - The Pye Yearsand even gets a job.

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The life of Neil Baldwin, a man who has shrugged off his perceived limitations to live an incredible life. A street-toughened parolee finds his two boys abandoned by their mum and fending for themselves. Time to step up, or not. A couple work hard to renovate their dream house and become landlords to pay for it. Unfortunately, one of their tenants has plans of his own. In the early s self-taught electronics whizz Joe Meek amazingly produces a string of home made hit singles from his studio in his flat above a leather shop in London.

His biggest success is the instrumental 'Telstar' but accusations of plagiarism delay royalties. Joe's mercurial temper causes his artists to forsake him for other labels, in particular his young lover Heinz Burt. Now in debt and after unwisely parting from his chief financier Major Banks, Joe finds himself unable to control his life. Increasingly paranoid, Everybodys Talking - Joe Meek - The Joe Meek Story - The Pye Years he is being bugged by rival record companies and that everybody is out to get him, the last straw comes when landlady Violet tells him she is selling the Good Bait - Dizzy Gillespie - Something Old Something New in which he lives.

Joe had once confiscated a shotgun from Heinz. Now it is dangerously close at hand and about to end the Joe Meek story. Written by don minifie I'm a little too young to appreciate Joe Meek's music and it seems to my ears that his music does seem nowadays as if it's from a museum, it sounds so fossilised I some time ago watched the BBC-TV "Arena" documentary on his life and times and my interest was piqued then at this most unusual man.

Even if you didn't know Meek's life story, we pretty much get to know from the outset that Joe's final breakdown is going to end in tragedy, with the narrative frequently inserting scenes from his last day leading up to the tragic shooting of firstly his landlady pretty much an accident, as it appears herethis giving him the final spur to almost immediately afterwards take his own life in equally violent fashion.

The film unfolds from this downbeat start into a most entertaining first half as the story charts his rise to mini-Spector status, producing memorable number one hits for John Leyton, The Tornadoes and The Honeycombs. Into Joe's no pun intended orbit drift a motley selection of eccentric beat group personnel, with much bawdy humour to the fore.

I especially enjoyed Kevin Spacey's spot-on upper-class English accent as Joe's eccentric business manager, military "crusty" Major Banks and there's also a fine turn by Tom Burke as Meek's nervous, sensitive indeed spiritualist in-house songwriter Geoff Goddard. I wasn't quite convinced that Con O'Neill really gave us Meek as he was, although there's no denying his conviction playing.

As for the narrative structure, I felt that the the film failed to truly give Meek his due when he finally reached the top and believe his achievements deserved a bit more highlighting, before the round-the-corner Beatles-era of grittier bands with in-built songwriting teams with the flair and talent to display their own writing ingenuity and studio inventiveness, effectively consigned Meek to, quoting Chris Andrews' hit, a "yesterday man".

The second half of the film Für Immer - Various - Wenn Der Sommer Kommt think, follows a little too much the fortunes of Meek's fellow-travellers, particularly the ridiculously one-dimensional "little-voice" that was Heinz Burt.

Indeed Meek's character disappears from the screen it seems for some time before we're jolted back to the closing scenes and his final demise.

His story is undoubtedly a tragic one suppressed homosexual, thwarted talent, moody artist but I didn't think the film quite got behind his character enough and thus failed to catch the full parabola of his eventful life.

The recreation of the period is great though - from the swinging, jigsaw-style opening credits to the chaotic scenes in Meek's makeshift studio above his landlady's leather goods shop and good acting by almost all on board helped by the main characters' physical similarity to their real life counterparts and of course the reproduction of that so distinctive "Joe Meek sound" replete with plinky-plonk organ jungle-drums and loads of re-verb, often married to "death-disc" lyrics.

An entertaining step-back-in-time then, if ultimately falling short in its attempt to do justice to the memory of a haunted but very talented and singularly individual pop maverick.

To paraphrase Brian Wilson from a little later in the decade, I guess Joe just wasn't made for those times. Sign In. Keep track of everything you watch; tell your friends.

Full Cast and Crew. Release Dates. Official Everybodys Talking - Joe Meek - The Joe Meek Story - The Pye Years. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Director: Nick Moran. Writers: Nick MoranJames Hicks.

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