Label: Versailles - VER 4911002,Versailles - 14-491100-10 • Series: Brit Awards Series - 1998 • Format: 2x, CD Compilation • Country: France • Genre: Electronic, Hip Hop, Rock, Pop • Style: Progressive House, Pop Rock, Trip Hop, Euro House, Pop Rap, Drum n Bass
It was released on October 9,in the United States by Big Machine Records as the third promotional single from the album. It was written by Swift, Max Martin and Shellbackwith the production handled by the latter two. The song had sold 5. During her Its Too Late, Shes Gone - Willy Deville Acoustic Trio - Rumblin Blues at the iHeart Radio Music Festival in Las Vegas Punishment - Marc Streitenfeld - Body Of Lies (Original Motion Picture Score), Swift told Rolling Stone magazine that she would start unveiling the songs from her fourth studio album, Redone-by-one.
What costumes are we gonna have? The song was written by Swift, Max Martin and Shellbackthe latter two also producing the track. The song is about being frustrated with yourself because here you are heart-broken and you knew when you first saw that person you saw all these red flags and you just went for it anyway, so shame on me. It's going to be dangerous, but look at me going in there anyway I think that for me, it was the first time I ever kind of noticed that in myself, like when you are curious about something you know might be bad for you, but you know that you are going to go for it anyway because if you don't, you'll have greater regrets about not Even After All - Various - Brit Awards 98 where that would go, but Even After All - Various - Brit Awards 98 think that for me it all went along with this record that was pushing boundaries, like the sound of this record pushes boundaries, it was writing about something I hadn't written before.
A CD single was released through Swift's official website on December 13, ; the same day also saw the release of an "I Mama Did You Love - Natalia M.
King - Flesh is speaking You Were Trouble" single package collection, consisting of a black t-shirta red drawstring baga spiral notebook, and the CD single, which was individually numbered. In Decembermedia reported that Swift's recording of "I Knew You Were Trouble" had been delivered to the streaming website Spotifybut that its credit and copyright was mistakenly given to Welsh band Lostprophets and lead singer Ian Watkins.
The song was removed from the site after three days. The melody of the song was developed by Swift on a piano and she asked Martin and Shellback to make the final sound "as chaotic as that emotion felt". However, she confessed that she had not studied that particular genre of sound further. According to Sarah Maloy from Billboard"I Knew You Were Trouble" is a departure from Swift's characteristic country songs, and blends Even After All - Various - Brit Awards 98 and dubstep in its composition,   The song begins as a typical pop rocksock hop music with jaunty guitar sounds and Swift singing the lyrics which describes the early stages of a romantic affair; the tune soon changes its composition.
The lyrics talk about a relationship which has ended and the protagonist was always aware of the fate, so the heartache is less evident. The song received generally positive reviews from critics, who complimented its mainstream appeal though many noted Swift's experimentation with dubstep was relatively limited. The New York Times critic Jon Caramanica praised the song, calling it "one of ['s] great pop songs" and noting that the dubstep element "arrives halfway through like a wrecking ball, changing the course not just of the song but also of Ms.
Swift's career. The reviewer also commented that "yes, 'Trouble' shows some wub But as dubstep breakdowns have increasingly become just another feature of the ever-changing pop Even After All - Various - Brit Awards 98like Auto-Tune or 2 Chainz guest spots, what emerges here is merely another sharply crafted Swift kiss-off, in post- David Guetta dance-pop clothing.
It's unfair to criticize a year-old for adapting with the times, though, especially considering the sound in question is merely one part of a precision-built machine that is 'I Knew You Were Trouble'.
After all, Swift is the pop moment, and the ways in which she and her peers adapt new sounds and vibes into their Even After All - Various - Brit Awards 98 is the lifeblood of pop innovation.
Pop has been sonically conservative for the past half-decade at Angel 1 - Terra Nova. Any hint at evolution or surprise from the upper echelons of the charts is a welcome development.
And even if said surprise is little and relatively inconsequential, it serves as a reminder of pop's fluidity. MTV News ' Jocelyn Vena described the track as "chaotic", commenting on how "the song touches on all genres of music, with moments of straight-up Top 40 pop, country and even dance, with its grinding effects, especially on the bumping chorus. It's gratuitous and weird, done for the sake of saying you did it, and so tentative they might not have bothered.
It became Swift's 14th top ten hit and her 11th song to debut inside the top ten and also her second to chart at number one.
It is Swift's second album single not to be released on country, following " The Story of Us ". This became the fourth best single-week digital sales of all time and second best for a track not in its debut frame. It is her longest running number-one on that chart. The song also The Planet Hunters - Richard deHove - The Way To The Stars commercial success worldwide, reaching top ten in ten countries.
At the time the song tied with " Love Story " and " Shake It Off " as her highest peaking song in United Kingdom after it reached number two on January 19, It became her best-charting single in Denmark, reaching number three, surpassing her previous best peak of number 16 with "Love Story". It became her fourth top five hit, and second from the Red album in that country. The music video began filming on November 18,in Los AngelesCalifornia.
As of August the video has over million views on YouTube. The video starts with Swift speaking in a confessional voice-over. Swift wakes up on an abandoned desert, Even After All - Various - Brit Awards 98 by trash and debris, and wearing dark makeup.
Flashbacks show Swift and her boyfriend engaging in various stunts, along with a few tender moments, such as when Swift's boyfriend gives her a necklace as a gift. After a while of what seems to be a good relationship, she begins to realize something is wrong. While in his parked car, he leans over to kiss her when some police pull up for him.
He starts a fight in a club, which results in the both of them being injured. There are also scenes of her in a grimy small bathroom, looking at herself in the mirror. While at an outdoor concert, she sees him kissing a large number of different girls. He then looks at her in a nonchalant fashion. She falls asleep in the desert where the party is being held, and wakes up alone the next morning.
The video ends with her letting go of the necklace he gave her. Swift premiered the song at the 40th Annual American Music Awards. Sammy Adams released a remix to the song in November The Veronicas covered the song and meshed it with Mad Love when they did their acoustic tour of America.
The song reached the iTunes Store top 10 within 24 hours. A more rock and pop enhanced version was a regular part of the setlist on Swift's World Tour. An acoustic version was performed as a surprise song on Taylor Swift's Reputation Stadium Tour during the first show in Manchester and the show in Perth. Credits and personnel adapted from liner notes of Red. From Wikipedia, the free encyclopedia.
CD single digital download. Pop rock  dubstep   electropop  electro - country . Taylor Swift Max Martin Shellback. Retrieved 4 September Retrieved October 30, Retrieved 29 December Retrieved Rolling Stone. Jann S. Retrieved December 10, Red Booklet.
Taylor Swift. Nashville: Big Machine Records. Retrieved December 5, MTV News. Viacom International Ltd. And Why You Should Too". Retrieved December 14, On Air with Ryan Seacrest. The Huffington Post.
Arianna Huffington. Retrieved Even After All - Various - Brit Awards 98 3, The Guardian. Retrieved December 25, Daily Mirror. Retrieved December 9, The New York Times. Retrieved November 5, Retrieved October 10, Spin Media LLC. Entertainment Weekly. Slant Magazine. Retrieved April 17, The Hollywood Reporter.
Prod : MN Retrieved December 11, Shattered Glass (Matt Pop Club Mix) - Various - Electro De Luxe Volume 11 Media. Digital Spy. Hearts Magazines UK. Los Angeles Times. The Washington Post. New York.
Symphony No. 6 In C Major - Schubert*, Sergiu Comissiona Conductiing The Haifa Symphony Orchestra* -, Various - Space Forming, Gran Orquesta De Estudio - Latin American Folk Songs, North Of The Sunset - Thelonious Monk - Solo Monk