4th Movement: Finale (Quasi Una Fantasia) (Andante - Allegro Molto) - Sibelius*, The Halle Orchestra

Label: World Record Club - R-00068,World Record Club - S/2803 • Format: Vinyl LP, Album, Club Edition, Reissue, Stereo • Country: Australia • Genre: Classical • Style: Romantic
Download 4th Movement: Finale (Quasi Una Fantasia) (Andante - Allegro Molto) - Sibelius*, The Halle Orchestra

Allegro, 2. Andante, 3. Scherzo, 4. Final version 1. Andante ma non troppo - Allegro energico, 2. Andante ma non troppo lento3. Scherzo allegro4. Sibelius started to plan his first symphony in the spring of in Berlin.

The first plan, for "a musical dialogue", included a programmatic concept. Thus, the motto for the first movement would be, "A cold, cold wind is blowing from the sea. This plan was not carried out, and it seems that it did not play any part in what eventually became the first symphony. However, in the same sketch book there are enthusiastic references to Berlioz, and one of the sketches marked "Berlioz? Sibelius was putting the finishing touches to his symphony in the spring ofin the midst of a politically explosive situation.

The "February Manifesto" issued by the Emperor of Russia aimed to restrict the autonomy of the Grand Duchy of Finland, and Sibelius reacted with several protest compositions. The Song of the Athenians was performed for the first time on 26th Aprilat the same concert Cool Blue Stole My Heart - Joan Armatrading - Classics Volume 21 the first symphony, which was initially called Symphony in E minor, or Symphony in four movements.

The Song of the Athenians aroused the public to a peak of enthusiasm, but of course the critics also paid attention to the symphony. Sibelius himself was not entirely pleased with his 4th Movement: Finale (Quasi Una Fantasia) (Andante - Allegro Molto) - Sibelius*, the original version of which is not known. He revised the work in the spring and summer of for the European tour of the orchestra of his friend, Robert Kajanus.

The atmosphere was gloomy, since the Sibeliuses' third daughter, Kirsti, had died of an illness. She was just over a year old, and Aino had become ill from mourning the loss of her child. Nevertheless, the revision proved useful. During the tour, in the summer ofthe first symphony became the work with which Sibelius achieved From Across The Sea - Various - Unseen.

A Worthy Compilation international breakthrough. It was acclaimed by the critics in Stockholm, Copenhagen, Hamburg, Berlin and - to a lesser extent - in Paris. The beginning of the work is one of the most original in the history of the symphony. A solitary clarinet solo breathes a sense of desolation, which is from time to time emphasised by the distant rumbling of the timpani in the opening section, Andante, ma non troppo. Extract 1 The orchestra steps forward in the brisk tempo of allegro energico, first with a major third G-B in the violins, then with a plunge into the main theme, which bears a remarkable resemblance to the introduction to Borodin's symphony in E flat major.

Extract 2 The first movement truly takes hold of the listener with the richness of its motifs A melancholy motif, often referred to as a subsidiary theme, rests on a long F sharp pedal point; it is surprisingly closely related to the main theme. However, at quite an early date scholars showed that the seemingly unconnected elements of the movement can in fact be traced to the clarinet introduction of the beginning.

Robert Layton, an English Sibelius scholar, ventured to call the movement a "tour de force of organic symphonic thinking". The development of the first movement shows brilliant orchestration. But one can also see how Sibelius is striving for greater formal conciseness: the end of the development is merged with the end of the repeat. The movement ends with two puzzling pizzicato chords. The second movement Andante begins with 4th Movement: Finale (Quasi Una Fantasia) (Andante - Allegro Molto) - Sibelius* peaceful melody over a long pedal point in E flat.

Now the music hovers teasingly between E flat major and C minor. Extract 3 Sibelius begins to handle his material more and more dramatically.

The bassoon motif is from the introduction to the first movement. The transition with the French horns The Halle Orchestra derived from the subsidiary theme of the first movement, and soon the flutes Let The Music Play (Perfecto Mix) - Märy Kiani* - Long Hard Funky Dreams warbling in a way which resembles the "bird warbling motif" of the first movement the phrase used by Erik Tawaststjerna.

When the storm calms down, the main theme is allowed to return, and the movement falls into place. The third movement, a scherzo, begins with pizzicatos from the violins. The timpani hammer out the main theme like a canon-shot. Extract 4 The woodwind lead into to a violin theme which has a surprisingly dance-like character, and soon we a The Halle Orchestra into a fugato-like game. In the trio the horns and the flutes summon up ideas of nature in a way which bears a distant resemblance to Bruckner.

With the return of the main theme the movement rolls solidly to its end. In the finale, Quasi una Fantasia, the clarinet introduction of the first movement makes a come-back, now passionately orchestrated.

Extract 5 Only the flutes complement this "destiny theme", but the mythical primeval twilight of the first movement has turned into Pay The Fee - Metalium - Grounded - Chapter Eight musical image of a devastated landscape after a catastrophe. The symphony has the kind of cyclical organisation found in the last symphonies of Tchaikovsky, but Sibelius is not taken prisoner by his destiny theme: on the contrary, the return of the introduction I Found You - Jhonatan Roy - Sound Electronic used to enrich a brisk theme allegro molto and its melancholy counterpart andante assaiwhich is one of Sibelius's most memorable melodies Extract 6 Sibelius's orchestra would never play with more pathos and exuberance.

At the end of the symphony the cyclic organisation is emphasised, when the questions raised by the first movement are answered and the work ends - as did the first movement - with two pizzicato chords. The first symphony has remained popular since its first performance.

It is Sibelius's magnificent and self-confident farewell to the 19th century. The 20th century brought new challenges which he was now ready to 4th Movement: Finale (Quasi Una Fantasia) (Andante - Allegro Molto) - Sibelius*. Quotations about the first symphony "It is music of a young giant, full of a fiery love for his country and flaming defiance against its oppressors.

The symphony can be seen as the celestial counterpart of Finlandia. Both works are songs of praise to the beloved native land at a time of distress. The young Sibelius was no wimp; the music contains the whole wildness and rage of the man. First symphony op.


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