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The film is sexually explicit and, like many of Verhoeven's other films, shows graphic violence and gore. The Virgin Mary appears to him in visions to show that he is targeted as her fourth victim.
Mary says, "Anyone given a warning must listen to it. He passes on the warning to State - The Fourth Man - The Fourth Man Thom HoffmanChristine's other lover, who ignores it, thinking that Gerard is trying to scare him off so that he can have Christine for himself. The movie ends with Herman's death, Christine's selection of a fifth victim and Gerard's future uncertain. Paul Verhoeven has said of the film: " The Fourth Man has to do with my vision of religion.
In my opinion, Christianity is nothing more than one of many interpretations of reality, neither more nor less.
Ideally, it would be nice to believe that there is a God somewhere out there, but it looks to me as if the whole Christian religion is a major symptom of schizophrenia in half the world's population: civilizations scrambling to rationalize their chaotic existence. Subsequently, Christianity has a tendency to look like magic or the occult. And I liked that ambiguity, because I wanted my audience to take something home with them.
I wanted them to wonder about what religion really is. Remember, that Christianity is a religion grounded in one of the most violent acts of murder, the crucifixion.
Otherwise, religion wouldn't have had any kind of impact. With regard to the irony of State - The Fourth Man - The Fourth Man violence, much of that probably comes from my childhood experiences during and immediately following the Second World War. In fact, if it hadn't been for the German occupation and then the American occupation, I would have never been a filmmaker.
He told The Seattle Times"You never know if you're dealing with a super-reality or not. Pinne, Fucile Ed Occhiali - Various - Una Rotonda Sul Mare film was a box office hit in the Netherlands, gainingadmissions, but lower than the millions of visitors his previous films had.
The Seattle Timesin a rave review, wrote that the film is "confident and skillfully made" and "erotically charged and graphic ," adding. Verhoeven has created an intricate, witty thriller about a writer's fears and paranoid imaginings and their possible fulfillment The director La Brise Et Le Nuage - Nuance - Ami steers a middle course that leaves you wondering at times if the woman is a witchand at other times if the writer is just a victim of a morbid Catholic State - The Fourth Man - The Fourth Man and a runaway imagination.
Usually movies that take this approach like Jack Clayton 's delicately balanced masterpiece of ambiguity, The Innocents are too frustrating Bir Anda - Mustafa Sandal - Gölgede Aynı +-×÷ American audience expectations to become commercially successful.
Yet The Fourth Man appears to have broken through that barrier to become one of the few profitable foreign films of the past year.
Verhoeven makes the writer's suspicions so entertaining that his dreams and fantasies, which might just be premonitionshave a visual and psychological force that is actually stronger than the 'reality' of the other characters. Coincidence and random happenings reinforce the man's paranoia, and his visions of castrationspiders that kill their mates and living crucifixes eventually seem to have some basis Eventually, the imagery of the film accumulates and leads directly to an explosive but still inconclusive finale.
It may be low-budget by American standards, but The Fourth Man is one of the most professional-looking movies to play here this year. The Philadelphia Inquirer called the film "highly charged" and enthused, " The Fourth Man falls into F The V.I.P (Radio Edit) - Dree - F The V.I.P general terrain occupied by the film noirbut it resists any label and — in its more lurid scenes — defies description.
It is graphic in both violence and sex and most decidedly not for the squeamish Verhoeven's surface theme is the consequence of obsessive sexual desire, but the main undercurrent has to do with the vague line that separates fantasy from reality Verhoeven has designed the film in a way that keeps the viewer as off balance as the protagonist If there is such a thing as macabre wit, it can be found in the way Verhoeven treats his characters.
State - The Fourth Man - The Fourth Man contrast, the Philadelphia Daily News wrote that the movie "is never as kinky or as funny as the character of Reve is. Its purple plot is beautifully lurid but the film itself is one step away from being brazenly lurid.
It holds back. Pinsky, of DVD Verdictthought the film to be "artsy to a ridiculous extreme. Saturated with images borrowed from symbolist and surrealist art, the film hammers the viewer over the head in every scene. And indeed it is supposed to be. It works better as a comedy however. Verhoeven gives us plenty of hints that we should not take things too seriously, particularly through Gerard's erratic behavior: his childish lust for Herman, his desperately facile attempt to fake psychic powers in order to trick Christine, and his increasingly baroque hallucinations.
Everything in Gerard's world becomes steeped in irony. If you do not take it seriously, you will likely get a kick out of this film. National Board of Review of Trouble In Mind - Julia Lee - Kansas City Star Pictures.
From Wikipedia, the free encyclopedia. This article is about the Paul Verhoeven film. For other uses, see Fourth Man. Rob Houwer Productions. WestBow Press.
Retrieved 27 May The Seattle Times. Seattle: Seattle Times Company. Retrieved January 27, DVD Verdict. Archived from the original on April 5, Retrieved January 28, January 7, The Fourth Man". The Philadelphia State - The Fourth Man - The Fourth Man . Philadelphia: Philadelphia Media Network.
Original film poster. De vierde man by Gerard Reve. Ine Schenkkan.