Label: High Fader Records - HFR-1206 • Format: CD Album • Country: Japan • Genre: Rock • Style: Shoegaze
We break down our favourite reverb effects, covering everything from cutting-edge digital hardware to lo-fi analogue options. Every space his its own unique acoustic character, and every sound we hear is shaped to some extent by our surroundings. When we start to think of reverb from a production perspective, things get a little more complex.
Numerous approaches have been tried in that time, from echo chambers to mechanical devices through to analogue circuits and on, of course, to digital hardware and computer software. Each type of reverb unit has its own merits, its own character and its own impact on the way your music sounds. Excuse me but where is the Midiverb II at? What kind of dance music producer has a room for a plate reverb.
Lumping the Last Dance - Lemons Chair - My Favorite Reverb Echo in with reverbs seems to be pushing it a bit. Also worth mentioning are the dirt-cheap plugins from ValhallaDSP which borrow a lot of techniques from both Lexicon and Eventideand the more expensive ones from 2CAudio. This is an unusually random feature from Attack…so few of these devices are really relevant to dance music eg the Lexicon …or EMT a vintage plate!
Its just all over the place…and honestly is that really relevant for dance music producers? Your email address will not be published. Attack Magazine is funded by advertising revenue.
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